‘The photograph and Australia’ brings together hundreds of photographs from over 35 lenders to present an exhibition that reflects the evolving image of Australia from the 1840s onwards. The largest exhibition of Australian photography since 1988, ‘The photograph and Australia’ presents more than 400 photographs by more than 120 artists, including Morton Allport, Richard Daintree, Paul Foelsche, Samuel Sweet, JJ Dwyer, Charles Bayliss, Frank Hurley, Harold Cazneaux, Olive Cotton, Max Dupain, Sue Ford, Carol Jerrems, Tracey Moffatt, Robyn Stacey, Ricky Maynard, Anne Ferran and Patrick Pound.
The works of renowned artists and those considered to be national icons are shown alongside those by unknown photographers and everyday material, such as cartes de visite, domestic albums and postcards. The exhibition tells people’s stories, illustrates where and how they lived, and communicates official public narratives. Scientific photography such as the earliest Australian X-rays and astronomical photographs appear alongside contemporary representations of people and place.
‘The photograph and Australia’ uncovers hidden gems dating from 1845 until now. From mass media’s evolution in the 19th century to today’s digital revolution, ‘The photograph and Australia’ investigates how photography has been harnessed to create the idea of a nation and reveals how our view of the world, ourselves and each other has been changed by the advent of photography. It also explores how photography operates aesthetically, technically, politically and in terms of distribution and proliferation, in the Australian context.
Taking a thematic approach, the exhibition encourages us to explore different connections between different forms of photography, people and place, past and present. Highlights include works by Australia’s first professional photographer, George Goodman, and recent works by Simryn Gill.
Curated from a contemporary perspective, the exhibition takes a thematic rather than a chronological approach, looking at four interrelated areas: Aboriginal and settler relations; exploration: mining, landscape and stars; portraiture and engagement; collecting and distributing photography. Exhibition curator, Judy Annear, senior curator, photographs, Art Gallery of NSW, says: “We are proud to present The photograph and Australia, an exhibition that considers how the photograph invented modern Australia. Audiences are invited to experience the richness of Australian photography, past and present, and the sense of wonder the photograph can still induce through its ability to capture both things of the world and the imagination.”
Above all, this exhibition and its accompanying publication remind us of the sense of wonder that the photograph can still induce for its ability to capture both things of the world and those of the imagination.
Director Michael Brand says: “We hope that The photograph and Australia will contribute to an understanding of the richness and complexity of the medium and provide impetus for further explorations of the photograph’s production, function and dissemination in this country. We trust that in doing so, it will also help place Australian photography in a broader international context.”
A richly illustrated publication will accompany the exhibition, reflecting the exhibition themes and investigating how Australia itself has been shaped by photography. There will be related education programs, digital resources, a substantial film program and live events. A major symposium will also be held at the Art Gallery of NSW on 18 April addressing the proliferation and distribution of photographic images.
Art Gallery of New South Wales
21 March to 8 June, 2015
Sydney
Max Dupain, Sunbaker, 1937, gelatin silver photograph, 18.42 x 16.44cm
Robyn Stacey, Chatelaine, from the series Tall tales and true, 2010, type C photograph, 15.03 x 20.02cm
Courtesy of the artists and the Art Gallery of New South Wales, Sydney
