This exhibition continues Coventry’s investigation into non-objective abstraction.
Colours and shapes oscillate, tumble and thread through one another and across the picture plane. Tones range from high-key citrus to more sombre brown and grey; the addition of metallic pigments mixed into the paint gives the surfaces a luminous quality. The form of a square is a constant and its repetition takes various guises – sliced, spliced and nested in striped grounds.
Liverpool Street Gallery
Until 7 May, 2015
Sydney
Vertere (to turn), 2007-14, acrylic on Belgian linen, 180 x 220cm
Courtesy the artist and Liverpool Street Gallery, Sydney
